Gemma's last wish is that grand-daughter Becca find the castle; her dying words are that she is Briar Rose. However, the truth is entangled in the single fairy tale that Gemma tells her three grand-daughters throughout their lives. The tale she tells is not standard fare. This tale is elusive. What does it mean that Gemma is Briar Rose? How could a castle be part of Gemma's past?The French gave us the word plot through "plait," which refers to the unraveling the reader must do as she reads. Imagine a plait of cloth lying horizontally with the loose part on the left (reading occurs left to right) as a closed book. Open the book, read and unravel, read and unravel. This is the task Gemma has given Becca: Unravel the past. The family knows nothing of Gemma's past. Her only clue is the fairy tale: Briar Rose, a new telling of Sleeping Beauty.The audience knows the power of fairy tales to hide universal truths, that sometimes an external force, in the form of a handsome prince, defeats evil characters and their spells, and sometimes the inner power of the character is the impetus. Jane Yolen's brilliant retelling of Sleeping Beauty through Gemma's tale, is one novel in the Fairy Tales series begun by Terry Windling, in which writers retell a fairy tale in a modern setting. In this tale is hidden the evil of the Holocaust in one hideous castle run by Nazis, and one princess, Briar Rose, awakened by the power of a kiss. No more than that will I tell.Yolen employs a favorite literary device in Gemma's telling of the tale. In the beginning chapters the reader is supposedly given the finished plait of the story. As Becca begins her quest in discovering the truth, Yolen begins unraveling the story, revealing one hidden fact, and another, and another, until finally toward the end the story is fully revealed and the reader is left gasping at its truth.Because Becca is a reporter, she knows how to uncover the truth. With the help of her handsome boss, Becca begins her task. A major truth she learns about him before she leaves for Poland is that he is adopted but had his own quest of learning who his birth mother is. Is it necessary to know this truth? Is it better to leave some truths unknown? This is the crux of Yolen's book: Are there some truths better left unknown? Think of that plait. We read a book because we want to unravel the plot and get at the truth of the story. The handsome boss had to know his truth, Becca had to know her Gemma's story, and in the end learns her own identity.This is one of the most satisfactory Holocaust novels/stories I have ever read, not because it has a happy ending (it does and it doesn't), but because the way Yolen unravels the truth through first one thread then another. If this seems enigmatic, that is what Yolen wants--sometimes finding the truth is tricky and difficult. For many reasons this is an excellent book for girls 9-12, depending on their maturity. This is not a sanitized Walt Disney Sleeping Beauty, but an old-fashioned one in which evil is what it is, but that truth can be liberating.